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93 Reade St. #3 New York, NY 10013 (by appointment only).
P. (212) 343 8785
F. (212) 343 8851
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Designfenzider, marries contemporary conceptual design with precise
functionality.
Drawing inspiration from classical influences and iconic forms, designer Ron
Gilad “deconstructs” function in clean, glamorous shapes, creating
utilitarian conversation pieces that elicit thought, emotion and pleasure at
the beauty and humor of the objects. Designfenzider, was founded in December
2000 in the United States, by Ron Gilad, a highly acclaimed designer, and by
Lior Haramaty, an entrepreneur with over 15 years of international business
experience. Designfenzider™ Vase Maker™ Stuul™ Endless Necklace™ Negative
Bench™ are trademarks of Designfenzider, LLC
Designfenzider, Contemporary Conceptual Design - Functional Conversation
Pieces. Art and Functionality at home. Products for individuals and interior
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furniture, still life frame, still life,Museum of Modern Art Designfenzider
marries contemporary conceptual design with precise functionality.Jewelry,
necklace, chocker, gold, silver, sterling silver, solid wood furniture,
moooi, contemporary design, modern furniture, modern contemporary furniture,
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Dear Designfenzider, mailing list subscriber,
The Museum of Modern Art Design Stores started selling Designfenzider
products last week.
Designed by Ron Gilad, the first products launched at the stores are the
Endless Necklaces.
Other products will follow shortly.
The Endless Necklace, available in sterling silver and 14K gold, is
constructed of functional jewelry closures, mimicking the form of the
classic pearl necklace but rendered entirely in clasps.
Witty and modern with a nod towards the past, the deceptively simple
necklace belies its historic influence.
The Endless Necklaces are priced at $95 / Sterling Silver necklace, and $220
/ 14K gold necklace.
MoMA Design Store, 53 St. 44 West 53rd Street, NYC 212.767.1050 Hours:
Saturday through Thursday, 10:00 AM - 6:30 PM Friday, 10:00 AM - 8:00 PM
MoMA Design Store, Soho 81 Spring Street, NYC 646.613.1367 Hours: Monday
through Friday, 10:00 AM - 7:00 PM Saturday, 11:00 AM - 7:00 PM; Sunday,
11:00 AM - 6 PM
____________________________
Designfenzider marries contemporary conceptual design with precise
functionality. Drawing inspiration from classical influences and iconic
forms, designer Ron Gilad “deconstructs” function in clean, glamorous
shapes, creating utilitarian conversation pieces that elicit thought,
emotion and pleasure at the beauty and humor of the objects. Designfenzider,
was founded in December 2000 in the United States, by Ron Gilad, a highly
acclaimed designer, and by Lior Haramaty, an entrepreneur with over 15 years
of international business experience.
Newsletter, May 16, 2002
Dear Designfenzider, mailing list subscriber,
Six additional Designfenzider products are now available at the Museum of
Modern Art Design Stores.
Designed by Ron Gilad, the new vases, fruit bowl and trivet exemplify his
fascination with objects of immaculate beauty. The new products join Gilad’s
Endless Necklaces, which were recently introduced at the MoMA Design Stores.
Platform + Border = Fruit Bowl. When the function of a bowl is
“deconstructed” it becomes an object made of two separate components:
surface and borders. When recombining these components, a functional bowl is
recreated. Made up of a beech wood platform and a painted metal border, the
Fruit Bowl is 11 inches square and 3.5 inches high.
Starting with a sealed tube #1 - #4. This series of vases get their function
from an incision and an application of force. The vases begin as chromed
metal cylinders and are then cut and twisted or bent at an angle to allow
for flowers. Created in four versions, the vases vary in the size and angle
of the cut segment. The vases are 10 inches high with a 2-inch diameter.
Xtrivet. Xtrivet is “surface” deconstructed to its essentials. Five
coordinate points are linked by two intersecting lines — the minimum
required to support hot pots/plates of varying sizes. Demonstrating Gilad’s
elegant restraint, the trivets are 10 inch long and ¼ inch high intersecting
bars of chromed metal that serve their purpose with minimal influence. The
function has been distilled to the most essential elements.
The new items are available at the two MoMA Design Stores at:
MoMA Design Store, 53 St. 44 West 53rd Street, NYC 212.767.1050 Hours:
Saturday through Thursday, 10:00 AM - 6:30 PM Friday, 10:00 AM - 8:00 PM
MoMA Design Store, Soho 81 Spring Street, NYC 646.613.1367 Hours: Monday
through Friday, 10:00 AM - 7:00 PM Saturday, 11:00 AM - 7:00 PM; Sunday,
11:00 AM - 6 PM
Thanks
Givign
____________________________
Designfenzider marries contemporary conceptual design with precise
functionality. Drawing inspiration from classical influences and iconic
forms, designer Ron Gilad “deconstructs” function in clean, glamorous
shapes, creating utilitarian conversation pieces that elicit thought,
emotion and pleasure at the beauty and humor of the objects. Designfenzider,
was founded in December 2000 in the United States, by Ron Gilad, a highly
acclaimed designer, and by Lior Haramaty, an entrepreneur with over 15 years
of international business experience.
Please visit our website at
www.designfenzider.com
This message is sent to you as a subscriber to Designfenzider’s mailing
list. To be removed from our mailing list please email designfenzider.com
with the word “remove” in the subject line.
Newsletter, Oct 03, 2002
Dear Designfenzider, mailing list subscriber,
We have made selected products from our collection available online, in our
new shopping-enabled web Gallery.
Please visit the Designfenzider website at
www.designfenzider.com .
____________________________
Designfenzider marries contemporary conceptual design with precise
functionality. Drawing inspiration from classical influences and iconic
forms, designer Ron Gilad “deconstructs” function in clean, glamorous
shapes, creating utilitarian conversation pieces that elicit thought,
emotion and pleasure at the beauty and humor of the objects. Designfenzider,
was founded in December 2000 in the United States, by Ron Gilad, a highly
acclaimed designer, and by Lior Haramaty, an entrepreneur with over 15 years
of international business experience.
Please visit our website at www.designfenzider.com
This message is sent to you as a subscriber to Designfenzider’s mailing
list. To be removed from our mailing list please email designfenzider.com
with the word “remove” in the subject line.
Newsletter, Nov 12, 2002
Dear Designfenzider, mailing list subscriber,
THE METROPOLITAN MUSEUM OF ART SELECTS DESIGNFENZIDER PRODUCTS FOR ITS
MODERN DESIGN AND ARCHITECTURE COLLECTION
NEW YORK — Designfenzider announces that two of its products, designed by
Ron Gilad, have been selected for inclusion in the permanent collection of
Modern Design and Architecture, Department of Modern Art at the Metropolitan
Museum of Art.
“This is an important and critical distinction,” said Gilad. “It is an honor
to have the support and validation of such an esteemed institution. It is
wonderful to be in the company of many of my mentors.“
The Museum has formally accepted Gilad’s Platform + Border = Fruit Bowl
(Parts 1 and 2), a two part exploration of a fruit bowl.
____________________________
Designfenzider marries contemporary conceptual design with precise
functionality. Drawing inspiration from classical influences and iconic
forms, Gilad deconstructs function in clean, glamorous shapes, creating
utilitarian conversation pieces that elicit thought, emotion and pleasure at
the beauty and humor of the objects.
Designfenzider, was founded in December 2000 in the United States, by Ron
Gilad, a highly acclaimed designer, and by Lior Haramaty, an entrepreneur
with over 15 years of international business experience.
Please visit our website at
www.designfenzider.com
This message is sent to you as a subscriber to Designfenzider’s mailing
list. To be removed from our mailing list please email designfenzider.com
with the word “remove” in the subject line.
XXX
New section @ our website,
www.Designfenzider.com
Christmas
tree shop, hanukkah, hanukkah gifts, chanukah gifts, chanukah
____________________________
Designfenzider marries contemporary conceptual design with precise
functionality. Drawing inspiration from classical influences and iconic
forms, Gilad deconstructs function in clean, glamorous shapes, creating
utilitarian conversation pieces that elicit thought, emotion and pleasure at
the beauty and humor of the objects.
Designfenzider, was founded in December 2000 in the United States, by Ron
Gilad, a highly acclaimed designer, and by Lior Haramaty, an entrepreneur
with over 15 years of international business experience.
Please visit our website at
www.designfenzider.com
This message is sent to you as a subscriber to Designfenzider’s mailing
list. To be removed from our mailing list please email designfenzider.com
with the word “remove” in the subject line.
Dear Designfenzider, mailing list subscriber,
New products were added to our collection and can be viewed @ the XXX
section on our web site.
____________________________________________________________________________________________________________________
Our new address: Designfenzider, 93 Reade St. Tribeca,
New York NY 10013. Please visit our website at
www.designfenzider.com
This message is sent to you as subscriber to Designfenzider’s mailing list.
To be removed from our mailing list please email Designfenzider.com with the
word “remove” in the subject line.
Dear Designfenzider, mailing list subscriber,
Designfenzider, is announcing the availability of the Vase Maker, a unique,
patent-pending product that converts any vessel into a vase.
Vase Maker dissects the classic vase into its two functional element –
support for the flower and a container for the water that sustains it.
Available directly from Designfenzider @
www.VaseMaker.com
, and soon to be available at fine stores as the MoMA design stores.
____________________________________________________________________________________________________________________
Our new address: Designfenzider, 93 Reade St. TriBeCa,
New York NY 10013. Please visit our website at
www.Designfenzider.com
This message is sent to you as subscriber to Designfenzider’s mailing list.
To be removed from our mailing list please email Designfenzider.com with the
word “remove” in the subject line.
Designfenzider is proud to announce the receiving of a design award in the
Red-Dot International Product Design Competition / Germany:
Award for Outstanding Design / Vase Maker™
Designed by Ron Gilad.
An exhibition displaying the award winning product will be held in:
Red-Dot Design Museum
Gelsenkirchener Straße 181
Essen/Zollverein
Germany
Opening reception: July 5 2004
Opening hours:
Tue to Thu 11.00am to 6.00pm
Fri to Sun 11.00am to 8.00pm
www.red-dot.de
* Designfenzider’s award winning products can be viewed on our web site and
are available for purchasing.
____________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY
10013. Please visit our websites at
www.designfenzider.com
www.vasemaker.com
www.rongilad.com
Copyright © 2001-2005 Designfenzider, . All rights reserved. All trademarks
are the property of their respective owners.
Designfenzider’s upcoming events during the International Contemporary
Furniture Fair :
Design Matters / Contemporary Israeli Design
Conduit Exhibition (Part 2) / Contemporary American Design
Both exhibitions will take place @ Felissimo Design House
Felissimo Design House 10 West 56 Street NYC
May 10 – June 12
Opening reception May 17 6:00pm-9:00pm
Open Studio / By Appointment Only
May 14,17,18
R.S.V.P designfenzider.com / 212 791 2877
* Design Scenes / 1999-2004 / detail DKNY
____________________________________________________________________________________________________________________
Holiday
gifts, Holidays gifts, stocking stuffers, vase, vases, fruit bowls, home
accessories, home furniture, jewelry, necklace, chocker, stem vase, bud
vase, side table, stool, chair, trivet, lamp, desk lamp, table lamps,
contemporary lamp, contemporary design, houseware, tableware, interior
design, home design, home decor, house and garden, I.D., moss, alessi modern
design, rahid, architectural design hadid, flower stands, fruit stands,
minimalist design, surface, conceptual design, conversation pieces, MoMA,
Cooper Hewitt. candlestick, candle candle holder, cadles, salt
and pepper shakers.
___________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY
10013. Please visit our websites at
www.designfenzider.com
www.vasemaker.com
www.rongilad.com
THE MUSEUM OF ARTS & DESIGN, NEW YORK, SELECTS A DESIGNFENZIDER PIECE,
DESIGNED BY RON GILAD, FOR ITS PERMANENT COLLECTION
NEW YORK - Designfenzider announces that the Museum of Arts & Design, New
York has selected “Flatware”, a work designed by Ron Gilad, for inclusion in
its Permanent Collection. The one-of-a-kind, hand-crafted stainless steel
set of spoon, knife and fork represents the successful application of a
contemporary sensibility to a traditional functional form. Deconstructing
forms to their simplest elements, then using a sophisticated and witty
compositional vision, Gilad creates an object that challenges and dissolves
distinctions between art and design.
“The Museum’s Acquisitions Committee was thrilled to add this important work
to the Museum’s permanent collection and make us the proud owners of an
original Ron Gilad piece!” Says Ursula Ilse-Neuman, curator at the Museum,
“The three-piece set is unique in its masterfully executed design which
Gilad achieves without fail in his minimalist yet highly eccentric and
sensual forms, successfully marries Eastern and Western tableware customs
and aesthetics”
“It is a great honor for Designfenzider to be part of such respectful
collection, expanding our ever-growing list of museums that honor us by
selecting Gilad’s designs to their permanent collections.” says Lior
Haramaty, Designfenzider’s CEO.
Designfenzider marries contemporary conceptual design with precise
functionality. Drawing inspiration from classical influences and iconic
forms, designer Ron Gilad deconstructs function in clean, glamorous shapes,
creating utilitarian conversation pieces that elicit thought, emotion and
pleasure at the beauty and humor of the objects. Designfenzider, was founded
in December 2000 in the United States, by Ron Gilad, a highly acclaimed
designer, and by Lior Haramaty, an entrepreneur with over 15 years of
international business experience. stocking stuffers
____________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY
10013. Please visit our websites at
www.designfenzider.com
www.vasemaker.com
www.rongilad.com
Copyright © 2001-2005 Designfenzider, . All rights reserved. All trademarks
are the property of their respective owners. This message is sent to you as
subscriber to Designfenzider’s mailing list. To be removed from our mailing
list please email Designfenzider.com with the word “remove” in the subject
line.
Designfenzider is proud to announce the availability of two new pieces:
A Void / Corian
Made of Corian, and available in a variety of colors/finishes, “A Void”
represents the “shell” of a traditional stool, and can be used as an end
table or stool, with interior storage space.
Wall Tables
The Wall Tables, made of solid wood, are detached from their natural resting
medium to create high impact pedestal or shelving surface.
These exciting objects can be seen @ the xxx section
on Designfenzider’s website
www.designfenzider.com
____________________________________________________________________________________________________________________
Invitation Dovetusai Gallery to present a
Designfenzider collection in SALONE DEL MOBILE 05
Dovetusai Gallery Via Sigieri 24 Milan, Italy
April
13 – 18 2005 10am-8pm Cocktail party: Thursday April 14 6:30pm
____________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY 10013. Please visit
our websites at www.designfenzider.com www.vasemaker.com
www.rongilad.com Copyright © 2001-2005 Designfenzider, All rights
reserved. All trademarks are the property of their respective owners
banana
republic
____________________________________________________________________________________________________________________
For immediate release Marcel Wanders selects
Designfenzider's "Dear Ingo" chandelier for Moooi. April 7,
2005, New York, NY. "Dear Ingo" chandelier design, by Ron Gilad for
Designfenzider, was handpicked by Marcel Wanders to be part of the Moooi
collection. The chandelier’s unique design of 16 task lamps creates an
unusual and intriguing structure that can be reconfigured endlessly.
The Dear Ingo chandelier will be presented as part of the new Moooi
collection at the 2005 Milan Salone Del Mobile. "The
Unexpected Welcome" / Moooi Superstudio Piu Via Tortona 27 April 13 – 18
2005 10am-10pm Cocktail party: Wed April 13 7pm-11pm "A unique design
among many we have, this chandelier represent the level of design
available from Designfenzider. We are extremely satisfied with the
design being selected and presented in Milan, and looking forward to a
fruitful collaboration with Moooi." Said Lior Haramaty, Designfenzider's
co-founder and CEO.
____________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY 10013. Please visit
our websites at www.designfenzider.com www.vasemaker.com
www.rongilad.com Copyright © 2001-2005 Designfenzider, All rights
reserved. All trademarks are the property of their respective owners.
gifts
for men, gifts for him, gift baskets, christmas gifts
____________________________________________________________________________________________________________________
FOR
IMMEDIATE RELEASE
ToolsGalerie 119, rue Vieille du Temple 75003 Paris Tel. + 33 142773580
Opening reception: January 14 2005 6pm Opening hours: Tue –
Sat 11:00am-1:00pm 2:30pm-7:00pm
____________________________________________________________________________________________________________________
FOR
IMMEDIATE RELEASE
Designfenzider is proud to announce the availability of six new lamps:
Lamps no. 14-19
These
exciting objects can be seen @ the xxx section on Designfenzider’s
website www.designfenzider.com
____________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY 10013. Please visit
our websites at www.designfenzider.com www.vasemaker.com
www.rongilad.com Copyright © 2001-2005 Designfenzider, . All rights
reserved. All trademarks are the property of their respective owners.
____________________________________________________________________________________________________________________
Designfenzider, 93 Reade St. Tribeca, New York NY
10013. Please visit our websites at
www.designfenzider.com
www.vasemaker.com
www.rongilad.com
Copyright
© 2001-2005 Designfenzider, . All rights reserved. All trademarks are the
property of their respective owners.
Designfenzider’s mailing list. To be removed from our mailing list please
email Designfenzider.com with the word “remove” in the subject line.
Copyright © 2001-2006 Designfenzider, . All rights reserved. All trademarks
are the property of their respective owners.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Designfenzider, Contemporary Conceptual Design - Functional Conversation Pieces.
Hotel Equipment, hotel furniture, restaurant furniture,
restaurant equipment, hotel accessories, restaurant accessories, restaurant
vases, hotel fruit bowls, hotel lamps, hotel light fixtures, restaurant
serving dishes.
Home About Us Chosen Artists Artistic Committees
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Friends עברית
Ron Gilad - Product Designer
IcExcellence chosen artist since 2005
Product
Design
"Gilad's sense of proportion and innate ability to
combine various materials in a harmonious style represents the best in
today's international design world. I am particularly struck by the
minimalist elegance of Gilad's work as well as his injection of humor and
subtle commentary on today's culture."
Jane Adlin, Curator, Metropolitan Museum of Art, NY
Ron Gilad's Tailor-Made ProgramCommendationsPress
Reviews
Platform + Border = Fruit Bowl No. 2
High-gloss lacquered wood, chromed metal *Part of the
Metropolitan Museum of Arts’ collection
"Minimalist elegance"; "humoristic"; "poetic";
"rethinking the everyday"; "passionate"... These are typical responses to
Ron Gilad's extremely impressive and moving creations. Indeed, Ron stands
out not only for his artistic talent, but also his deeply philosophical and
highly passionate approach to his art.
Ron Gilad was born in Tel Aviv in 1972. After majoring
in Architecture at Technichum Givataim High School, he attended the
Industrial Design department at the Bezalel Academy of Art and Design in
Jerusalem. From 1999-2001 he taught 3D Design at the Shenkar Academy of
Engineering & Design, and explored the edges of the design discipline with
his students and in his own work. During that time he developed
one-of-a-kind objects which were later exhibited in several one-man shows in
Israel.
In 2001 Ron co-founded Designfenzider, a NYC-based
design firm, as a vehicle to develop his theories, produce and distribute
his work around the globe. In recent years Ron has served as a guest
lecturer and critic at the School of Visual Arts in New York, Cranbrook
Academy of Art in Michigan and the Metropolitan University of Denver. His
work is part of the permanent collections of the Metropolitan Museum of Art,
the Museum of Arts and Design in New York and the Tel Aviv Museum of Art, as
well as private collections.
For more info: www.designfenzider.com
Awards
2004 Red-Dot Award for Outstanding Design,
International Product Design Competition, Germany
2003 Conduit Award of Distinction (First Prize),
National Design Competition, US
Honorable Mention, Conduit National Design
Competition, US, for R.O.B.C. object
Honorable Mention, Conduit National Design
Competition, US, for lamp no's. 12 & 13
1997-2000 America-Israel Cultural Foundation Awards
1997 Meisler Award for Academic Excellence
1996 Manufacturers Association of Israel Award
Solo Exhibitions
2006 XSmall, Old Ideas/New Objects by Ron Gilad in
The Shop at Cooper-Hewitt, National Design Museum
2005 Dialectic Design, ToolsGallerie, Paris
2001 One Night Stand, Periscope Contemporary Design
Gallery, Tel Aviv
2000 Instabilation, Jerusalem Art Center, Jerusalem
1999 Neo Post, Periscope Contemporary Design Gallery,
Tel Aviv
Poubelle, Office in Tel Aviv Gallery, with Deganit
Schocken, Tel Aviv
Select Group Exhibitions
2005 The Unexpected Welcome, Moooi, Studiopiu, Milan
New Collection, Dovetusai Gallery, Milan
2004 Red Dot, Design Zentrum Nordrhein Westfalen,
Essen, Germany
Design Matters, Felissimo Design House, New York
2003 New Design, LyonsWire Gallery, New York
Domains, Nagoya, Japan
2002 Tokyo Designers Block, Tokyo
Design about Design, Tel Aviv Museum of Art, Tel Aviv
Lamp No. 13
Painted metal, museums’
board shade
Dear Ingo
16 x task lamp, corian, metal
Void Stool
½" thick corian surface
CandlestickMaker
Porcelain
Fruit Bowl No. 6
High-gloss painted metal,
silicon legs
Ron Gilad's Tailor-Made Program
IcExcellence is highly impressed by Ron's outstanding
talent, ambition and passionate attitude towards his art. The distinguished
members of the artistic committee: Alex Padwa, Ami Drach and Prof. Gad
Charny, wish to help Ron realize his great potential in the international
arena, while strengthening his ties with Israel. IcExcellence will support
Ron in two unique programs: firstly, a series of meetings and conversations
with various philosophers and thinkers, in order to nurture and expand the
conceptual perspectives that are central in his creations. Secondly, Ron
will participate in a glass workshop in the US, to explore this material
more deeply and incorporate new techniques into his work.
Commendations
"Gilad is one of the very few designers in Israel
preoccupied with linguistic issues such as form versus content/idea,
expressing its depth with exceptional clarity. Ron is one of those few
creators whose investigation of design takes on the proportions of a
crusade."
Meira Yagid, Curator, Tel Aviv Museum of Art
"I consider Gilad's work extraordinarily refined."
Paola Antonelli, Curator, Museum of Modern Art, NY
"Ron's innovative designs are unique, and stand well
above most designers. Beyond his unique path of thought, he creates objects
that are exceptionally complex in their simplicity, and might be second to
none."
Ursula IIse-Neuman, Curator, Museum of Arts and Design,
NY
"During our meetings, Ron impressed me with his ability
to convey ideas through writing, presentations, and of course, through his
objects themselves."
Cindi Strauss, Curator, the Museum of Fine Arts,
Houston
"I believe Ron Gilad is among the most interesting and
important designers working in
America today."
Greg Krum, Retail Manager, Cooper Hewitt National
Design Museum, NY
"I am particularly interested in Gilad's ability to
merge the functional with the conceptual. His work explores not only how
things are made but also delves into the poetic and subjective nature of
objects as they relate to the contemporary world we live in."
Brett Littman, Deputy Director, PS1 MoMA, NY
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Press Reviews
"Drink size tables and conceptual bowls; a young
designer rethinks the everyday."
New York Times, 2002
"Unlike many product designers, it's questions, not
answers, that Gilad designs. His best designs call into question their own
purpose."
City Magazine (US), 2005
"Gilad chose the way of minimalism to reduce his
designs to the most essential, each object is peeled from its layers and
presented with its bare soul.…Gilad emphasizes concept in his designs, but
unlike many creators that select mind over matter, he embraces aesthetics
and refinement over the rough appeal frequently chosen by others."
Axis Magazine (Japan), 2001
"When Israeli industrial designer Ron Gilad - known for
creating stools with hollowed-out centers to allow for storage - wanted to
make a fruit bowl, he took a minimalist tack, simply surrounding a red base
with a few strategically placed metal rods to prevent oranges and the like
from rolling away."
W Magazine (US), 2005
Master of Scale and Minimalism
Designer Ron Gilad discusses his recent diminutive
exhibit and his imaginative perceptions.
By David Sokol
Posted July 21, 2006
Furniture fairs are typically fueled by big gestures.
At this year’s New York Design Week, though, Ron Gilad meditated on
minuscule objects in an exhibition appropriately called XSmall: Old
Ideas/New Objects. The New York–based Israeli designer and co-founder of
Designfenzider describes the exhibition, staged at the shop at the
Cooper-Hewitt, National Design Museum, as “a short poem constructed of
mundane objects: a plate, a clock, a mirror, or a light, scaled down and
stripped naked.” He adds, “XSmall was an opportunity for me to produce some
kind of intimacy that allows the viewer to get closer, to explore and not
feel intimidated.”
Tiny things surface throughout Gilad’s oeuvre, but so
do other motifs. There’s the moving of parts: On display at the
Cooper-Hewitt, for example, were Vase Makers, tiny urns that cap drinking
glasses, transforming them into vessels for flowers; his Floor/Table Lamp,
not at the show, inserts a lampshade through a beech side table. Gilad also
heartily partakes in appropriation. XSmall presented a miniature George
Nelson Coconut Chair reconceived as an ashtray. These were produced by the
same mind that made the Dear Ingo chandelier, an homage featuring a ring of
16 banal metal task lamps, for Moooi.
While Dear Ingo won Gilad a good share of media
attention when it was released in 2005, his work doesn’t collect trends.
Indeed, one of the strongest recurrences in Gilad’s work is a severe,
conceptual minimalism. Things, like his series of fruit bowls (or the
cage-like vases shown at XSmall) are reduced to three-dimensional line
drawings—ideas with pure function, no florid patterns or cheeky historical
allusions. Here, Gilad reflects on the exhibition and how it provides a
window into his wider-reaching ambitions as a designer.
Would you say that XSmall is a culmination of your
design inquiry?
The exhibition is a reflection of my work process. Time
and newness are fluid.
My mother, who studies the Kabala and views the world
through spiritual eyes, keeps reminding me that we are not inventing
anything new but merely uncovering and revealing that which already exists.
It is wise for me to have the ability to make connections between seemingly
unrelated ideas. Good ideas don’t come with expiration dates.
Literally speaking, the Torch [featured in XSmall] was
produced ten years ago. However, the exhibition dives further into the past.
The Rotunda Table by Mario Bellini, the Coconut Chair by George Nelson, or
even a classic chandelier from the 18th century all served as points of
departure.
Was there an overarching idea that drove this exhbition?
The whole exhibition was an exercise in creating
intimacy. The physical characteristics of the space—Andrew Carnegie’s
office, a small warm room clad in wood and shuttered from the outside
world—versus my sharp “skeletaled” object allowed me to dovetail disparate
elements.
Was this inquiry specific to the small exhibition
environment?
Given a larger exhibition space, I might have created
the exact same pieces. Scale is one of many tools I use to explore and
question the everyday. In a sort of retarded way, I reduce the physical
world to lines and surface. This helps me to shape my questions like a broth
reduction is to a whole pot of soup.
Why is it important to become intimate with objects?
We wake up in the morning after being intimate with our
bedding all night. We slather our bodies with soap in the shower; we “hug”
our warm mugs of coffee while our bottoms rest comfortably on a seat. My
point being that we expect our “everyday partners” to be loyal, beautiful
and to serve our needs.
After a while our intimate partners are in need of
reconditioning. So we are either replacing them with a newer version or
sending them out for repairs. And let’s not forget the concept of disposable
partners.
When were you first aware the practice existed and knew
it was something you wanted to pursue?
I grew up in a minimalist environment. By necessity and
not design I learned to appreciate objects as tools that know how to
multi-function; a chair on a table is a ladder, two suitcases equal a coffee
table, etc. So for me, the future was written in the past.
How does childhood imagination translate to grown-up
pursuits?
From a child’s point of view, these are two suitcases.
From a mature designer’s point of view, these are two volumes. The designer
shapes his ideas using abstract forms while the hidden child sometimes comes
out to play.
Where did those early interests take you?
I went on to study architecture in high school but
quickly discovered that my impatient nature would not wait years to see my
first live “object,” so I thought that studying industrial design would give
me some immediate gratification. What seemed like a compromise then revealed
itself to become an ideal vehicle for me as an artist and a person.
Does nationality somehow figure into your perceptions
and missions as a designer?
Yes and no.
This question opens Pandora’s Box. I find it difficult
yet intriguing to answer. It can lead us to a discussion about everything in
our contemporary life. During World War II, the Nazi Party commissioned IBM
to create a system for sorting people to organize them for transport to
labor and death camps. So I ask myself, was the nationality of the designers
visible in these systems?
Let’s jump ahead to fine arts, Hirst for example. Can
we tell his nationality through his work? We can philosophize for hours
about the meaning of his dissected cow and that’s what’s brilliant about it.
It’s not the answers; it’s the questions that the work raises.
To define nationality in order to fit a creative effort
into its profile is to limit the creative power. If one’s concept is to deal
with national identity through his work then it’s fine. If not, to use
nationality as a filter to define one’s work is a path to World War III.
Since Moses led the Israelites out of Egypt, design was no longer a
geographic matter but a cultural one.
Culturally, we can define “tribes”—Eastern, Western,
etc. For example, we can easily define traditional Japanese design objects,
but in contemporary design movements, cultural differences are much less
obvious. In the ’90s Western minimalism could be mistaken for modern
Japanese design. Today, my work is loaded with the same concepts that my
colleagues from around the world are dealing with. We can see cultural
influences but more and more they are blurring.
I think it brings us to a deeper understanding of my
first answer: yes and no.
Ron
Gilad Stool
Ron
Gilad Void Stool
Ron
Gilad Vase
Ron
Gilad Fruit Bowl
Ron
Gilad Lamp
Ron
Gilad Chandelier
Ron
Gilad Vase Maker
Ron
Gilad VaseMaker
Ron
Gilad Chair
Ron
Gilad Side Table
Ron
Gilad Object
Ron
Gilad Table
Ron
Gilad Furniture
Ron
Gilad Accesssories
Ron
Gilad Bed
Ron
Gilad Day Bed
Ron
Gilad Salt & Pepper Shakers
Ron
Gilad Candlestick
Ron
Gilad CandlestickMaker
Ron
Gilad Contemporary Objects
Ron
Gilad Modern Objects
Ron
Gilad Conversation Pieces
Ron
Gild One Off
Ron
Gilad Platter
Ron
Gilad Porcelain Plater
Ron
Gilad Wood Stool
Ron
Gilad Corian Stool
Ron
Gilad Red Fruit Bowl
Ron
Gilad Long Fruit Bowl
Ron
Gilad design
XSmall/New Objects Old Ideas has been extended and will
be on view at the
Cooper-Hewitt until the end of August.
holiday gifts
Designfenzider, Contemporary Conceptual Design, Functional Conversation
Pieces
Designfenzider’s hybrid objects combine material wit with aesthetic play;
they sit on the fat, delicious line between the abstract and the functional.
Our collection includes domestic objects such as a minimal “fruit bowl”
comprised of a sleek supporting plate paired with an architectural fence, a
“half-function” porcelain top that creates a vase when placed on any
container, and a chandelier of desk lamps.
Our objects, which vary from one-off to limited editions and production
pieces, have no “expiration date” and reside in both public and private
collections worldwide.Designfenzider asks unceasing questions in 3D form,
and fabricates answers that create an arena for fertile doubt.Ron Gilad is a
philosopher of the everyday object.
Israeli by origin, Gilad studied industrial design at the Bezalel Academy of
Arts and Design in Jerusalem.
He taught conceptual 3D design at the Shenkar School of Engineering and
Design in Israel.
In 2001 Gilad relocated to New York and co-founded Designfenzider, a test
lab for his ideas.
Since 2006 Gilad is teaching at Pratt Institute in NY.Gilad’s designs
question the perception of functional everyday objects
Designfenzider, 93 Reade St. TriBeCa New York, NY 10013 T. 212 791 2877 F.
212 343 8851 info@designfenzider.com www.designfenzider.comVaseMaker
VaseMaker dissects the classic vase into its two functional elements:
Support for the flower and a container for the water that sustains it.
VaseMaker is designed and redesigned each time it is placed upon a vessel.
VaseMaker is a half-function object that leaves space for the imagination
and for the participation of the user.*Part of the Tel Aviv Museum of Art
collection
*US patent D482637 Material: porcelain
Size: 6"x6" h. 2.5"
Cat #0100101394 CandlestickMaker
The CandlestickMaker, a “relative” of the VaseMaker, is a processed
fragment.
Born from a dissection of a basic candlestick structure, it is a fragment
that has left behind its supporting leg.
It reinvents itself each time it’s combined with a new supporting object
which functions as the missing limb.
Material: Porcelain
Size: d: 4” (10cm) h: 3” (7.5cm)
Cat #0100300888
Porcelain Platters
Porcelain Platters use the modern to emphasize the past, by elevating the
classical using a contemporary apparatus.
It is function as a serving dish, a fruit bowl or a pedestal. Rectangle
Small Large
Material: Porcelain, painted metal, silicon feet Material: Porcelain,
painted metal, silicon feet Material: Porcelain, painted metal, silicon feet
Size: w.10”(25cm) x 8”(20cm) h.4.25”(11cm) Size: d.9.75”(24.5cm)
h.4.25”(11cm) Size: d.12.5”(32cm) h.7”(18cm)
Cat #0100300690 Cat #0100300492 Cat #0100300591 Black Surface
Black Surface is a public relations tool for still objects.
Used as a serving dish, a fruit bowl or a cake pedestal, it elevates any
other object placed on it to its summit, presenting it at its best.
Black Surface is an abstraction of this line of products, utilizing a
minimal supporting leg with an elegant yet anonymous surface which
emphasizes the items placed on it
Material: Corian, painted metal, silicon feet
Size: d.12.5”(32cm) h.3.75”(9.5cm)
Cat #0100300987
Black Base
A tripod, base, that gets its function when being placed underneath a plate,
making it a centerpiece. Material: Painted metal, silicon feet
Size: w. 4.5”(11.5cm) X 4.5”(11.5cm) h. 3.5”(9cm)
Cat #0100300789
Clipped Cube / Clipped Rectangle
The Clipped Cubes are half-functioning objects.
Reminiscent of museum boxes, these are architectural frames with a clipped
corner that serves as the setting and support for flowers in the
individual’s own vessel.
Clipped Cube Clipped Rectangle
Material: painted brass, silicon feet Material: Painted metal, silicon feet
Size: w: 11” (28cm) x 11” (28cm) h: 11” (28cm) Size: Size: w: 6” (15cm) x 6”
(15cm) h: 18” (46cm)
Cat #0100301689 Cat #0100301590
Fruit Bowl no. 1
When the function of a bowl is deconstructed, it becomes an object made of
two separate components:
Surface and borders
When recombining these components, a functional bowl is recreated *Limited
edition of 100
*Part of the Metropolitan Museum of Art collection Material: Beech wood,
Metal, Silicon feet
Size: w: 11” (28cm) x 11” (28cm) h: 3.5” (9cm)
Fruit Bowl no. 2
Dissecting the function of a bowl into its essential components allows for
the “stretching” / ”extending” of its structure
As another step in its way to abstraction *Limited edition of 8
*Part of the Metropolitan Museum of Art collection Material: lacquered Wood,
chromed metal, silicon feet
Size: w: 23.5” (60cm) x 3.5” (9cm) h: 4” (10cm)
Fruit Bowl no.4
This series of fruit bowls represents a structural reduction of the earlier
1/2/3 bowls. 1/2/3 were deconstructions of the container concept describing
just a surface and border. 4/5/6/7/8 further simplifies this process by
reducing the support surface by combining the border with the support
functions to create one structure that does both.
This procedure produced a new species of fruit bowls, or rather “fruit
stands”, as the “bowl” has vanished through the reduction process, leaving a
lucid structure. Material: Painted brass, silicon feet
Size: w. 23”(58cm) X 3.5”(9cm) h. 3.75”(9.5cm)
Cat #0100301095 Fruit Bowl no.5
This series of fruit bowls represents a structural reduction of the earlier
1/2/3 bowls. 1/2/3 were deconstructions of the container concept describing
just a surface and border. 4/5/6/7/8 further simplifies this process by
reducing the support surface combining the border with the support functions
to create one structure that does both.
This procedure produced a new species of fruit bowls, or rather “fruit
stands”, as the “bowl” has vanished through the reduction process, leaving a
lucid structure. Material: Painted brass, silicon feet
Size: w. 23”(58cm) X 4”(10cm) h. 3.75”(9.5cm)
Cat #0100301194
Fruit Bowl no.6
This series of fruit bowls represents a structural reduction of the earlier
1/2/3 bowls. 1/2/3 were deconstructions of the container concept describing
just a surface and border. 4/5/6/7/8 further simplifies this process by
reducing the support surface by combining the border with the support
functions to create one structure that does both.
This procedure produced a new species of fruit bowls, or rather “fruit
stands”, as the “bowl” has vanished through the reduction process, leaving a
lucid structure. Material: Painted brass, silicon feet
Size: w. 23”(58cm) X 2.5”(6.5 cm) h. 5.5”(14cm)
Fruit Bowl no.7
This bowl adds a fruitier second layer to its earlier versions.
Material: Painted brass, silicon feet
Size: w. 23”(58cm) X 2.5”(6.5cm) h. 6”(15cm)
Cat #0100301392
Fruit Bowl no.8
This bowl uses the concept of its predecessors as a point of departure to
further reduce the idea of a bowl’s structure to a 2D icon.
Material: Painted brass, silicon feet
Size: w. 19.5”(49.5cm) X 19.5”(49.5cm) h. 0.75”(2cm)
Cat #0100301491
Void / Stool, Side Table
The void stool is one stop along the process of investigating the negative.
Structured in the shape of a stool’s wooden shipping crate, the void was
originally built out of cheap plywood and crafted using crate-making
techniques.
It can be used as a stool or side table with storage space in its void
Now available through:
DWR
Design Within Reach
Material: AC Plywood
Size: w.14"(35cm) X 14"(35cm) h.18.5"(47cm)
Cat #0100501093
Void / Stool, Side Table
The void stool is one stop along the process of investigating the negative.
Structured in the shape of a stool’s wooden shipping crate, the void was
originally built out of cheap plywood and crafted using crate-making
techniques.
The Corian version is a further evolution of this material investigation.
It can be used as a stool or side table with storage space in its void
Run Over By Car
This series of vases is a mass-production of one-of-a-kind(s).
Objects which have been reformed by running over them with a car.
The car “accident" produces unique chaotic curves which are then enhanced
with polished chrome or a high gloss paint finish.
These vases are an exploration of relinquishing control and letting fate
dictate the object’s final form.
Material: Metal
Finish: Chrome – out, black paint – in
Size: d.2” (5cm) h.10” (25cm)
Cat# 0100102591
*Each ROBC is unique
Run Over By Car
This series of vases is a mass-production of one-of-a-kind(s).
Objects which have been reformed by running over them with a car.
The car “accident" produces unique chaotic curves which are then enhanced
with polished chrome or a high gloss paint finish.
These vases are an exploration of relinquishing control and letting fate
dictate the object’s final form.
Material: Painted metal
Size: d.2”(5cm) h.10”(25cm)
Cat #0100103788
*Each ROBC is unique
Lamp no.12
A box usually conceals its contents. Here, the box has been reduced to a
metal frame that holds the light rising out of it.
The “opened” box has lost its usual sense of mystery while creating a new
one by confounding what one normally expects of either a box or a floor lamp
Design: Ron Gilad 2004
Material: metal
Finish: flat
Color: Black
Shade: translucent white P.V.C
Light source: 1xE27 max 100watt
Cat# 0100101394
Lamp no.13
A box usually conceals its contents. Here, the box has been reduced to a
metal frame that holds the light rising out of it.
The “opened” box has lost its usual sense of mystery while creating a new
one by confounding what one normally expects of either
a box or a lamp
Design: Ron Gilad 2004
Material: metal
Finish: flat
Color: Black
Shade: semi translucent heavyweight white museums’ board
Light source: 1xE27 max 100watt
Cat# 0100101394
Lamp no.14
After observing and subtracting main characteristics of ex lovers,
The designer abstracted these qualities and formed them into a series of
table lamps.
This series of lamps serves as the designer’s private 3D black book
Design: Ron Gilad 2005
Material: Metal base, Lamp Shade
Finish: Flat
Color: Black
Shades: Satin white painted heavyweight opaque paper
Satin Black painted heavyweight opaque paper
Laminated Silk on PVC – translucent white
Packing: single boxes (shades can be packed in bulk)
Light source: 1xE27 max 75watt
Cat# 0100401688
Lamp no.15
After observing and subtracting main characteristics of ex lovers,
The designer abstracted these qualities and formed them into a series of
table lamps.
This series of lamps serves as the designer’s private 3D black book.
Design: Ron Gilad 2005
Material: Metal base, Lamp Shade
Finish: Flat
Color: Black
Shades: Satin white painted heavyweight opaque paper
Satin Black painted heavyweight opaque paper
Laminated Silk on PVC – translucent white
Packing: single boxes (shades can be packed in bulk)
Light source: 1xE27 max 75watt
Cat# 0100401787
Lamp no.16
After observing and subtracting main characteristics of ex lovers,
The designer abstracted these qualities and formed them into a series of
table lamps.
This series of lamps serves as the designer’s private 3D black book
Design: Ron Gilad 2005
Material: Metal base, Lamp Shade
Finish: Flat
Color: Black
Shades: Satin white painted heavyweight opaque paper
Satin Black painted heavyweight opaque paper
Laminated Silk on PVC – translucent white
Packing: single boxes (shades can be packed in bulk)
Light source: 1xE27 max 75watt
Cat# 0100401985
Lamp no.17
After observing and subtracting main characteristics of ex lovers,
The designer abstracted these qualities and formed them into a series of
table lamps.
This series of lamps serves as the designer’s private 3D black book
Design: Ron Gilad 2005
Material: Metal base, Lamp Shade
Finish: Flat
Color: Black
Shades: Satin white painted heavyweight opaque paper
Satin Black painted heavyweight opaque paper
Laminated Silk on PVC – translucent white
Packing: single boxes (shades can be packed in bulk)
Light source: 1xE27 max 75watt
Cat# 0100401886
Lamp no.18
After observing and subtracting main characteristics of ex lovers,
The designer abstracted these qualities and formed them into a series of
table lamps.
This series of lamps serves as the designer’s private 3D black book
Design: Ron Gilad 2005
Material: Metal base, Lamp Shade
Finish: Flat
Color: Black
Shades: Satin white painted heavyweight opaque paper
Satin Black painted heavyweight opaque paper
Laminated Silk on PVC – translucent white
Packing: single boxes (shades can be packed in bulk)
Light source: 1xE27 max 75watt
Cat# 0100402093
Lamp no.19
After observing and subtracting main characteristics of ex lovers,
The designer abstracted these qualities and formed them into a series of
table lamps.
This series of lamps serves as the designer’s private 3D black book
Design: Ron Gilad 2005
Material: Metal base, Lamp Shade
Finish: Flat
Color: Black
Shades: Satin white painted heavyweight opaque paper
Satin Black painted heavyweight opaque paper
Laminated Silk on PVC – translucent white
Packing: single boxes (shades can be packed in bulk)
Light source: 1xE27 max 75watt
Cat# 0100402192
Still Life Frames:
Upright, freestanding 2D frames; outlines enclosing an ever-changing 3D
"still life".
These frames function as servants to other objects by bringing into focus
the obvious and every-day.
“Museumnizing” any object by making it a framed exhibition piece.
Design: Ron Gilad 2003
Material: Metal
Finish: glossy
Color: Black, chromed ends
Packing: single boxes
Cat# 0100101394
Dear Ingo
Using the familiar form of the classic task lamp as a building block, Gilad
created an object that seems so familiar yet is so imaginative, and begs to
be played with.
This concept was developed into a versatile ever-changing chandelier, with
structural flexibility that is a constant challenge to the viewer’s
perception.
The chandelier is a humorous wink towards Mr. Maurer’s work.
Design: Ron Gilad 2003
Material: 16×Task lamps, Metal
Light source: 16xE27 max 25watt
Overall H: 5”, D: 3’-7’
Color: Black
Production of MOOOI / the Netherlands
Bellini Plate
(Available 2007)
Design: Ron Gilad 2006
Material: Beech wood, glass plate silicon
Size: w.4.5” X 4.5” (11.5cm X 11.5cm) h. 3.5” (9cm). Glass plate D. 8”
(20cm)
Finish: flat lacquered
Color:
Cat# 0100300788
Endless Necklace
Design: Ron Gilad 2000
Material: Sterling silver
Length: 16” (40.5cm)
Cat# 0100600192
Mother's day gifts.